We bring the dry ice, the machines, and a technician who runs the whole thing, timed to the bar of music you walk out on. Serving weddings, galas, and productions across the Metroplex.
A cloud effect is not one product. The right machine depends on how big the floor is, how long you need the cloud to hold, and whether the moment is one song or all night. Start here.
A single 8 lb dry ice load is a clean fit for one song on an intimate floor. It builds fast, sits low, and clears before the next dance.
Three of these run on dry ice, which is what makes a true low-lying cloud that hugs the floor instead of drifting up into the room. The fourth runs continuously on distilled water and haze fluid, for when the effect needs to last all evening.
The compact option. Loads 8 lb of dry ice and produces a dense, low cloud that is perfect for a single defining moment on a smaller floor. Quiet enough to sit close to guests without competing with the music.
Best for first dances, small venue ceremonies, and budgets that still want the real dry ice look.
The workhorse, and what most weddings book. A 12 lb dry ice load gives you noticeably more volume and more runtime than the Junior, which means the cloud is still holding when the second verse comes around and the photographer is still moving.
Best for the classic first dance on a standard floor, father-daughter dances back to back, most DFW venues.
A 30 lb dry ice capacity and full DMX control, so the cloud fires on a lighting cue instead of by hand and the effect starts on the beat. This is what covers a ballroom floor or a long entrance walk.
Best for grand entrances, large ballrooms, corporate reveals, anything cued to lighting or a show file.
The Cumulus runs on distilled water and haze fluid instead of dry ice, so how fast a block sublimates does not limit it. It produces continuous low-lying fog for as long as you want it running.
Best for all-night atmosphere, photo and video shoots that need repeated takes, venues that restrict dry ice handling.
People arrive here searching a dozen different ways for the same effect, and vendors are not consistent about what they call it either. If any of these sound like what you pictured, you are in the right place.
The name most wedding vendors use, and the one most couples arrive with. It describes the look rather than the equipment: a low blanket of white cloud sitting on the dance floor so the couple appears to be standing on top of it. Every package on this page produces that effect.
The technical name for the same thing, and what you will see on equipment listings and rental catalogs. “Low lying” is the important half of the phrase: it distinguishes chilled fog that stays on the floor from ordinary fog that rises and fills the room.
Named for how the effect is produced: dry ice lowered into heated water, which sublimates into dense carbon dioxide fog. This is what most people mean when they want the real cloud look, because the density of chilled fog is what keeps it on the floor.
How it usually gets described to us on the phone. Whatever you call it, the questions we need answered are the same three: what is the moment, how big is the floor, and how long does the cloud need to hold.
This is the thing to understand before you book a cloud effect, and it is why we ask about your timeline before we quote anything.
When a machine runs on dry ice, the effect lasts the length of that load. It is not a dial you turn down to stretch it. So the whole job is matching the load size to the moment you care about, and then putting the cloud in the room at the right second.
That is why we get on a call with your planner and your DJ or band before the date. We find out when the doors open, how long the walk is, where the song’s first chorus lands, and whether there is a second dance right behind the first. Then we pair the setup to it. Guessing at this is how people end up with a cloud that peaks during the introductions and is gone by the time the couple is dancing.
Send us the date, venue, and the moment you have in mind. We check availability and send you a quote. You can do the whole thing over email if you prefer.
Sign the agreement and pay your retainer online in a few minutes. Your date is held the moment the retainer clears.
We reach out to your planner and your DJ or musicians to lock the setup window and the exact cue for the effect.
Our technician loads in, sets up, runs the effect on cue, and quietly breaks down. You never touch a machine or handle dry ice.
Most low-lying fog listings in Dallas are a machine on a 24-hour rental, with the dry ice and the setup left to you. This is a different product.
Transported, loaded in, positioned and tested well before guests arrive. We operate it for you.
We source it fresh for your date and handle it safely on site. Dry ice loses mass in storage, so timing the pickup is part of the job.
Present for the whole event window, watching the cue and running the effect live.
We are fully insured, and we will send a certificate of insurance directly to your venue’s coordinator at no extra charge.
We talk to your planner, DJ, band and photographer ahead of time so the cue is not a surprise to anyone in the room.
Dry ice fog leaves the floor dry and clean. We are packed out without interrupting the party.
You can rent a low lying fog machine in Dallas by the day from a party rental yard. It is worth understanding what that gets you, because the two options are not really competing for the same job.
Included machine only · dry ice on you · no technician
A typical dry ice fog machine rental is quoted as a 24-hour period with the dry ice and the setup left to you. You collect or receive the unit, source your own dry ice, work out how much you need, transport it without letting it sublimate away, load the machine, position it, run it on cue during your own event, and return it.
That can be the right call for a production company with crew, or for someone who has run the effect before. It is a rental and it is priced like one.
Included machine · dry ice · technician · insurance · venue COI
Everything is delivered, set up and operated by our own technician, and there is no pickup option. We source and handle the dry ice, calculate the load against your run of show, coordinate the cue with your planner and DJ, carry the insurance, and send the COI to your venue.
The practical difference on the night is that your wedding party stays on the dance floor and our technician stays at the machine, watching for the cue while the couple walks out.
The reason most people find this page. A dry ice cloud under a first dance is the shot that ends up framed, and it photographs far better than it sounds on paper. The fog catches uplighting and separates the couple from the room. We work around your photographer and stay out of the frame.
A cloud rolling out of a doorway as the doors open is a genuinely different entrance than a spotlight. This is the job the 30 lb Entour Ice is built for. A long walk needs a load that is still producing when the couple reaches the floor, and DMX means it fires on the cue instead of on a guess.
Milestone birthdays, quinceañeras and sweet sixteens all have their own version of the walk-out moment. Same effect, different cue, usually paired with the entrance or the first dance with a parent.
Product reveals, award-show entrances and gala openers. Corporate rooms are usually larger and run on a tighter show file, which is the case for DMX control and often for combining units to cover a wide stage.
Shoots need the effect repeatedly, on the director’s call, for hours. This is where the continuous Cumulus usually beats dry ice. It keeps producing between takes, so you are working to the shot list instead of to a block of ice.
Video does this effect more justice than any still can. These are real DFW events, shot on the night.
Every package below includes the machine, the dry ice or fluid, delivery and setup, an on-site technician for your event window, insurance and a COI for your venue. Travel beyond the core Metroplex is quoted separately.
We cover roughly a 40-mile radius out of Hurst, which puts Dallas, Fort Worth, Arlington, Southlake, Grapevine, Frisco, Plano, Irving, Denton, McKinney and the surrounding venues comfortably inside the core service area.
If your venue is outside that ring, we still travel. It is quoted as a travel add rather than turned away. Tell us the venue and we will be straight with you about what it costs.
Tell us the date, venue and the moment. We confirm availability, send the agreement, and you pay the retainer online. Your date is held as soon as it clears.
We check the date is open before anything else happens, the same day you send it.
You sign the agreement and pay the retainer online, in a few minutes.
We bring in your planner and DJ to set the cue and the load-in window.
Send us your date and venue. We will confirm availability and recommend the right setup for your room and your timeline.
Tell us about your event and we’ll send you a straightforward quote the same day.